Read this brief, but spot-on story about the new blood being infused into the Country Music scene in the mid-1980’s over at Acoustic Guitar Magazine. I am glad to be able to truthfully state that I was with them both (and a host of other artists mentioned in the article) from early on as I bought both Guitar Town and Guitars Cadillacs Etc., Etc. pretty much when they came out (on vinyl back then of course.
Rebels With A Cause How Dwight Yoakam and Steve Earle Saved Country Music
Dwight Yoakam : Guitars Cadillacs
Steve Earle : My Old Friend The Blues
Plus, Steve Earle can be seen playing a Martin 15 Series guitar in the article closely related to the one I do (although he undoubtedly does so much better than me)
I made this slide show to one of my (many) favorite Uncle Tupelo songs (from Still Feel Gone) a few years back. It’s not prefect by any means but I wanted to capture the feeling of living in small towns (in Texas in this case) and ‘looking for a way out’. Whether or not that is always the right way forward or not I am not too sure about, but I guess a lot of people can relate to that urge, I certainly can or rather could when I was younger.
This is an unofficial video I found on YouTube to celebrate the arrival of my copy of The Pines’ latest, splendid album Above The Prairie (released early February 2016). More info and my review of the album to follow in the next few weeks. In the meantime, all that’s left for me to say is: Enjoy.
Yet another artist I am just getting to know, her new album Sundown Over Ghost Town should find its way into my home and CD-player real soon. This song is quite old though, but excellent.
Tangled Country is the 4th album by Baltimore’s The Honey Dewdrops. Not a trace to be found of the Wire’s gritty, ugly urbanism on it, thankfully.
The Honey Dewdrops are on the way to carving themselves a niche of exceedingly fine purveyors of the lonesome, gentle side of Alternative Country. Young was the first track of theirs I ever heard, and it quickly became clear to me, that their music was exactly my cup of tea. It’s a poignant summarization of the feeling many of us can relate to (certainly I can) of not being that young anymore and finding yourself slightly bewildered by the changes taking place to anybody else’s lifestyle, except you. The only thing preventing it from becoming a classic for me are its rather modern lyrics with their allusions to flat screen TV’s, Bluetooth and Facebook.
There’s a number of outstanding songs on here, such as the aforementioned Young. But this excellent song gets topped by Loneliest Songs – which is simply stunningly beautiful and lovely. One of the best songs I have heard in a long while. Plus, it’s pretty much the only song I can think of on which the bass is the instrument I like best, it’s plucking away wonderfully and forlornly in the background. Their masterpiece of a song so far, I’d say (not having heard any of their other records). Also excellent is the gorgeous Numb, the song most veering towards conventional country music sounds, I love the harmonica on here a whole lot.
The instrumental album closer Remington is quite amazing too, although it’s making do without Laurie Wortman’s enchanting vocals which are contributing substantially to making most songs on Tangled Country especially wonderful.
I am most probably not the only that has to think about Gillian Welch & David Rawlings listening to their music. And the fact that they do not quite reach that other, slightly more famous couple’s mile high class, can only be attributed to Welch and Rawlings being so far above and beyond anybody else in the field of this kind of music, at least in my book. BUT, on this very fine album, they definitely do come rather close to that on a number of songs. An album to cherish for a long, long time.
A fine live version of Loneliest Songs (without that fabulous bass of the album version, unfortunately).
Most everybody knows Hard Times, and in case you don’t, here’s the skinny. It was written by Stephen (Collins) Foster and published in 1854. The first audio recording of it was released in 1905 (if Wikipedia is right). There have been dozens (probably more like hundreds) of recordings done since by the likes of Bob Dylan, Johnny Cash, Emmylou Harris and Nanci Griffith ( I would love to hear Iron & Wine’s, undoubtedly fine, version too, but couldn’t find it anywhere). Of course I don’t know all of them, but I simply cannot imagine there’s one better and more beautiful one than Gillian Welch’s. And Dave Rawlings’, I should add. I always thought it a shame they are referred to simply as Gillian Welch, as his contributions, mainly on the guitar, are crucial to what is making most of their songs so wonderful and good. Hard Times is no exception to this. The typically reduced simple banjo and acoustic guitar arrangement is absolutely befitting a song like Hard Times, not to mention Welch’s unmistakable voice. It’s taken from 2011’s The Harrow & The Harvest. Dave Rawlings Machine’s new album Nashville Obsolete is out on September 18th and most probably one of 2015’s outstanding releases. Rejoice (I certainly am).
Once again I discovered this artist through (and with thanks to) Mr. Tex Art Hobart from Ashland, Virginia. Ha.
I had never heard of Caitlin Canty before until discovering her Acoustic Guitar Magazine session earlier today. This is fabulous stuff.
A musical and lyrical marriage made in heaven, two of my favorite singer/songwriters singing a song heavily inspired/partly written by Jack Kerouac who is one of my most-beloved writers.
The original version of Big Sur can be found on the Jack Kerouac tribute CD/DVD project One Fast Move Or I’m Gone (Music From Kerouac’s Big Sur). Not sure if that is even available anymore (it was released in 2009), but it’s got a very special place both in my heart and book/CD/DVD shelf.
Ex-Uncle Tupelo and now Wilco singer/songwriter and guitar player Jeff Tweedy just as I like him best. Solo, acoustic and heartfelt (actually, the same can be said about most artists).