Read this brief, but spot-on story about the new blood being infused into the Country Music scene in the mid-1980’s over at Acoustic Guitar Magazine. I am glad to be able to truthfully state that I was with them both (and a host of other artists mentioned in the article) from early on as I bought both Guitar Town and Guitars Cadillacs Etc., Etc. pretty much when they came out (on vinyl back then of course.
Rebels With A Cause How Dwight Yoakam and Steve Earle Saved Country Music
Dwight Yoakam : Guitars Cadillacs
Steve Earle : My Old Friend The Blues
Plus, Steve Earle can be seen playing a Martin 15 Series guitar in the article closely related to the one I do (although he undoubtedly does so much better than me)
An old fave of mine, from the Weakerthans’ album Reconstruction Site, the only album by them I know and own. Never got around to exploring their output more thoroughly although it would most probably be worth it.
This is an unofficial video I found on YouTube to celebrate the arrival of my copy of The Pines’ latest, splendid album Above The Prairie (released early February 2016). More info and my review of the album to follow in the next few weeks. In the meantime, all that’s left for me to say is: Enjoy.
This is a harrowing story and a great song, in a touching performance.
Wonderful, intimate performance of a lovely song, taken from her new-ish album Under Branch & Thorn & Tree.
Tangled Country is the 4th album by Baltimore’s The Honey Dewdrops. Not a trace to be found of the Wire’s gritty, ugly urbanism on it, thankfully.
The Honey Dewdrops are on the way to carving themselves a niche of exceedingly fine purveyors of the lonesome, gentle side of Alternative Country. Young was the first track of theirs I ever heard, and it quickly became clear to me, that their music was exactly my cup of tea. It’s a poignant summarization of the feeling many of us can relate to (certainly I can) of not being that young anymore and finding yourself slightly bewildered by the changes taking place to anybody else’s lifestyle, except you. The only thing preventing it from becoming a classic for me are its rather modern lyrics with their allusions to flat screen TV’s, Bluetooth and Facebook.
There’s a number of outstanding songs on here, such as the aforementioned Young. But this excellent song gets topped by Loneliest Songs – which is simply stunningly beautiful and lovely. One of the best songs I have heard in a long while. Plus, it’s pretty much the only song I can think of on which the bass is the instrument I like best, it’s plucking away wonderfully and forlornly in the background. Their masterpiece of a song so far, I’d say (not having heard any of their other records). Also excellent is the gorgeous Numb, the song most veering towards conventional country music sounds, I love the harmonica on here a whole lot.
The instrumental album closer Remington is quite amazing too, although it’s making do without Laurie Wortman’s enchanting vocals which are contributing substantially to making most songs on Tangled Country especially wonderful.
I am most probably not the only that has to think about Gillian Welch & David Rawlings listening to their music. And the fact that they do not quite reach that other, slightly more famous couple’s mile high class, can only be attributed to Welch and Rawlings being so far above and beyond anybody else in the field of this kind of music, at least in my book. BUT, on this very fine album, they definitely do come rather close to that on a number of songs. An album to cherish for a long, long time.
A fine live version of Loneliest Songs (without that fabulous bass of the album version, unfortunately).