Danny Schmidt : Parables & Primes

DS_Parables

Danny Schmidt : Parables & Primes

(2005 Live Once Records)

 

Danny Schmidt is a singer/songwriter based in Austin, TX. He’s received tons of  good press – and rightly so! I don’t want to drop the D-comparison (that has been done too many times before in the last 40 years or so), but I see him more in line of songwriters such as John Prine and Greg Brown, as he’s considerably younger than either of them it wouldn’t be wrong to call him the next generation.

The earliest of his 7 albums I bought to date, this beauty of an album enticed me because of the haunting and delicate violin part in album opener This Too Shall Pass that I knew from YouTube. This Too Shall Pass is quite dark in theme, and the violin does complement it to very fine effect indeed.

But as very soon became obvious, this track isn’t the only highlight on the album, far from it! Neil Young sounds a lot like, well, prime Neil Young (of the Harvest era, his finest period if you ask me), complete with a relaxed and somewhat sleepy acoustic guitar as well as a lovely steel guitar.

Dark Eyed Prince is prime Danny Schmidt, mainly him, his (as mostly is the case) fingerpicked acoustic guitar and a captivating, memorable story, in this case about a prince that has got it all in a material sense, but behind all that wealth he’s hiding his deeply hurt soul, by a princess long gone – as Danny Schmidt is quite often speaking in metaphors and allegories this probably has a universal meaning, but being able to package a thought and idea like this in a story so imaginative and memorable, is what makes a (song)writer as good as he clearly is (which is evident in most of his work).

Other fine examples of this ability are Stained Glass and A Circus Of Clowns. Stained Glass is only accompanied (like This Too Shall Pass) by violin and his acoustic guitar and the story does concern a stained glass church window being damaged by a storm and being only rudimentarily restored by the 90 year-old dad by the master glazier – upon seeing the finished product the church congregation is sceptical at first, but quickly recognizes that perfection isn’t what counts most, but being able to pour your heart and soul into something is much more meaningful and, in this case, beautiful than doing something perfectly – that’s my interpretation of the story at least. Plus that violin between the verses is amazing – it’s mixed somewhat into the background, but it kind of floats around in your room (provided you listen to the record on a proper stereo, not on your computer or those cheap in-ear headphones) – hard to explain that effect adequately, but it sounds simply wonderful.

Riddles And Lies and Esmee By The River are both simple, straightforward Folk song and only accompanied by lovely mandolin and accordion parts respectively (and acoustic guitar, naturally), which is actually all they need to be from a first-rate songwriter of his ilk.

Ghost became something of my favorite on the album (as far as it is possible to name one from an album with so many excellent tracks on it), maybe for the Wild West imagery (‘…swing swing, gallows swing…’) but most probably for the somber mood and stripped-down arrangement with only an acoustic and an electric lead guitar.

In contrast to this are the next two songs Beggars And Mules and A Circus Of Clowns, which are both, for his standards I should add, lavishly arranged. The first one with a nice, relaxed 70’s Country-Rock beat and arrangement with a soft lead guitar and female backing vocals (some of Arlo Guthrie’s work springing to mind) and A Circus Of Clowns, suited perfectly to the circus theme of the song with trumpets and marching drums, which I am quite fond of, when it’s done in moderate doses (it’s probably all the church visits in my childhood that did that). Lyrically it’s a political allegory and a slightly madcap story about a circus coming to town and the townspeople, after much fanfare in the beginning, slowly coming to realize that maybe the clowns aren’t really up to any good, but by then it’s too late and they aren’t really able to get rid of them all that easily.

The title track and album closer is quite unfinished intimate acoustic guitar only track and more of an afterthought than a fully finished song, which isn’t to say it’s not worth listening to at all – more reminiscent of a live recording.

If you don’t know his work yet and are into Folk-based singer/songwriter fare telling and imaginative storytelling you could do much, much, worse than checking Parables & Primes out. This is top stuff (as are all of his other records I know to date – keep checking back here for more reviews of his other albums). His website is http://www.dannyschmidt.com

 

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